天堂孤影

剧情片芬兰1986

主演:马蒂·佩龙帕  卡蒂·奥廷宁  萨卡里·库斯曼嫩  埃斯科·尼卡里  Kylli K?ng?s  Pekka Laiho  Jukka-Pekka Palo  Svante Korkiakoski  Mari Rantasila  Safka Pekkonen  Antti Ortamo  马托·瓦尔托宁  Sakke J?rvenp??  Ulla Kuosmanen  Neka Haapanen  阿基·考里斯马基  

导演:阿基·考里斯马基

播放地址

 剧照

天堂孤影 剧照 NO.1天堂孤影 剧照 NO.2天堂孤影 剧照 NO.3天堂孤影 剧照 NO.4天堂孤影 剧照 NO.5天堂孤影 剧照 NO.6天堂孤影 剧照 NO.13天堂孤影 剧照 NO.14天堂孤影 剧照 NO.15天堂孤影 剧照 NO.16天堂孤影 剧照 NO.17天堂孤影 剧照 NO.18天堂孤影 剧照 NO.19天堂孤影 剧照 NO.20
更新时间:2023-11-21 16:55

详细剧情

环卫公司垃圾车驾驶员尼卡德(Matti Pellonp?? 饰)的老同事计划筹资组建自己的环卫公司,邀请尼卡德技术入股,但老同事不久急病突发身亡,尼卡德的生活重回一潭死水状态。尼卡德心有不甘借酒滋事,在被拘留的时候结识日后的同事米卡拉。米卡拉偶而会不识趣的妨碍尼卡德暗地追求超市售货员伊罗娜(Kati Outinen 饰),但他仍是尼卡德最可依赖的朋友。伊罗娜为报复超市经理偷走了钱盒,尼卡德帮助她找到服装店的新工作,服装店经理夹到尼卡德与伊罗娜的关系中间,但尼卡德最终夺回了自己的爱人。   本片获1987年芬兰电影尤西奖最佳影片奖。是导演郭立斯马基(Aki Kaurism?ki)无产阶级三部曲的第一部。

 长篇影评

 1 ) 近于白描,近乎冷漠,却在眼眸透出渴望而孤寂的底色。

《天堂孤影》。阿基.考里斯马基。 阿基的电影总是近于白描的手法。人们的表情近乎冷漠,没有歇斯底里,没有热烈奔放,甚至没有扯动大一点的情绪,言语断然,却在眼眸透出渴望而孤寂的底色。 没有大人物,只有在人世间浮沉挣扎的非典型普通人。

如此如此如此如此如此如此如此如此如此如此如此如此如此如此如此如此如此如此

 2 ) 无产爱情

无产阶级三部曲第一部,阿基的电影里少有的以爱情为主线的并且在冰冷过后给人浪漫的故事。

影片开始依旧是大量镜头展现男主垃圾车司机尼卡德日常的工作流程和工作环境,让人一目了然角色的身份和阶级。随后尼卡德的同事计划筹资组建自己的环卫公司,邀请尼卡德技术入股,但当两人一拍即合后这位同事却突然生病去世了。阿基总是在电影中加入大量突发的意外事故来改变角色命运和故事走向。比如突然的抢劫,突然的自杀,突然的病故等等。面对同事的死亡和计划的泡汤,心烦意乱的尼卡德在酒吧里闹事,结果被拘留了。在被拘留的时候他结识了无业游民米卡拉。于是他介绍米卡拉成为了自己的同事。同时尼卡德认识了超市收银员伊罗娜。他与伊罗娜坠入爱河,随后伊罗娜被超市经理辞退,她为了报复偷走了超市钱箱。结果被抓进了警局,尼卡德暗地帮她把钱箱归还到了超市办公室。伊罗娜出来后找了一份服装店导购的工作,尼卡德开着垃圾车来看她时遭到了服装店经理的嫌弃。两人的工作环境中凸显的阶级隔阂让他们的感情出现了裂痕。但最终双方都发现了离不开对方,携手踏上了驶向远方的邮轮。

阿基在此片里对阶级的探讨是很明显的。尤其当尼卡德与伊罗娜进入高档餐厅被拒绝,而服装店经理带着伊罗娜畅通无阻的进入高档餐厅的对比段落相当讽刺。超市经理开除伊罗娜是因为想留出职位给自己毕业的女儿。包括伊罗娜与尼卡德产生裂痕的原因都充满了身份认同和阶级矛盾。但最终阿基还是柔软了一把,回归自己的阶级,回归舒适的爱情。

 3 ) 给我一杯断肠酒

“给我一杯断肠酒”是我下载电影版本里面的一句台词,翻译得准不准确尚且不论,但这个通常出现在宋词里面的词语却给这部本来有些酸楚苦涩的电影增添了些许黑色幽默的滋味感觉。
导演拍了三部曲,而且是让很多人不齿的蓝领三部曲,蓝领在中国意味着什么?意味着一辈子不见天日,又或者是抬不起头做人,在朋友聚集的时刻还要扮演被人奚落嘲笑的角色,这真是可怕。我从来就很抗拒蓝领,在看这部电影之前,但当我看过之后,我并不觉得做一个蓝领有什么令人不妥的地方了,只不过,是在芬兰,又或者是在天堂里面。
芬兰是诺基亚的故乡,不知道这家公司每年能从中国人手里掏出多少人民币外汇,电影里面的芬兰并不像我想象中的那样漂亮,甚至不干净。
蓝领们每天一大早起床上班,比如电影里面的男主角,他是收垃圾的,这些人穿着制服,开车,上路,停车,收垃圾,中午吃午饭,然后在日落时分下班,结束一天的生活。
简简单单的生活有什么不好,而男主角的朋友,一个干了几十年的老男人这时异想天开要开一间公司,还想好的广告词什么“值得信赖的垃圾回收,始于1986”这真是疯狂的事情,而且这个双眼浮肿发黑的老男人还有一个令人叫绝的理由,他不想死在车轮下,他要死在办公桌后面。死就是死,死在哪里又有什么区别呢。
结果,他真的死在车轮下,导演那个镜头刚好是他躺在车轮下面,头靠在车轮边上。
收了几十年垃圾,到最后死也死在垃圾场里,如果这个人生下来就知道他要干这个干一辈子,连死都要和垃圾在一起,他一定会想的更多。
男主角,这个男人是导演的御用主角了,导演的每部电影好像都有他,这个其貌不扬,有点小滑稽的背头,头发留的还挺长。
电影里本来简单的生活被一个超市女员工打破了,他和她相恋之后,他以为自己可以重新开始一种新的有些意义的生活,他每晚都去上课所学的英语说不定可以派上用场,他们可以到一个更好的地方,他找一份更好的工作,他们结婚。
但是,几天的欢愉之后,她还是觉得沉默单纯的他没有意思,她又离开他,寻找新的自由。
“给我一杯断肠酒”于是,当他的胖同事来找他一起上班的时候,他带着墨镜直躺在床上。当他说他死也不去的时候, 下一个镜头又直接切到影片开头那组工作的画面,男主角还是机械地站在垃圾场的尾部,右手拉动滑杆。
音乐也无法让他释怀失恋的痛苦,他还是想着那个让他心动的女孩,于是他不顾一切地找到了她,要与她一起离开那个伤心失意的地方。

末尾 ,轮船在阴霾寒风细雨中缓缓驶向远方,深蓝的海水在风中起伏滚动,一首老式的摇滚歌曲响起,就像歌词里面所说的那样:“生活本来就是痛苦的……”他们的未来也终究逃不过苦难,但他们很快乐,因为他们找到了生活中真正值得珍惜的东西。





















 4 ) 困苦中的浪漫 清冷中的唯美

我真是爱死了aki的片子。影片的每一小部分抽出来都很平凡现实冷酷,那是社会最底层的小人物的困苦生活。而所有的情节凑在一起,却真的是带有超现实主义的浪漫色彩。结尾美妙极了,像一首散文诗,像一幅水粉画,像一曲温婉的夜曲,动人心脾。
在aki的故事里,男主人公都很完美,兼具善良、正直、勇敢与柔情,甚至还会有一点文艺青年的小调调。aki影片中的爱情并不轰轰烈烈,却总是突如其来,而后又坚定不移。在天堂孤影里,女主并非一下就爱上了男主,她犹豫了,面临失业的困扰,她走投无路,但又不甘心和一个垃圾清理工在一起。是选择一种更好的生活还是选择一个更好的男人,女主最后问:“你能养活我们两个人吗?”他回答:“小菜一碟。”
你能明白吗,当你真的经历过这样的生活时,真的经历过这样的选择时,你会明白,当你被放弃时你亦会明白,那四个字并不一定是真,却是真的勇气与责任。我想任何好的作品寻求的不是画面中虚置的人为的解读过程,而是心领神会,而是唤起那些自我阅历产生的共鸣。这或许会教人强化自己心灵里的自我意识,感知身边发生的一切,或许抑制住关于未知的冲动情绪,或许勇敢地开解自己渐渐地释然。即使皆非如此,至少涌起的感动能让人觉得自己并非麻木。
aki的故事中同样钟爱友情,配得起朋友二字的那个人总是能够无条件地奉上友情。最后是巨大的商船带他们离开,奔向前方,未知的新生活。
看看aki的片子吧,教男人学会如何做一个男人,看看aki的片子吧,真的很棒!

 5 ) 大师之路

所谓的大师,往往是具有独特的、风格化的特点,希区柯克的悬疑,卓别林的肥裤子大头鞋小胡子,成龙的精巧武打喜剧,周星驰的无厘头等就是很好的例子。这就像相声演员,经过多年反复的精心培养,在观众心目中塑造出条件反射一般的喜感一样,一种题材,拍的久了,成为了标签,想起来某类型影片就想起来某人,大师塑造也就成功了。这是电影大师的成功之路。

芬兰电影大师阿基·考里斯马基,影片关注的是社会底层小人物,或车间工人,或垃圾清运工,或裁缝,或保安,极少的对白,冷淡的表情,年龄大约三十左右的未婚大龄青年,安分守己的努力工作,休闲也就是喷云吐雾的吸根烟,或者喝一杯。机器大多架在三脚架上拍,偶尔用点轨道、高位摇臂,手持极少,镜头舒缓,后期剪辑不是那种凌厉的快镜头短镜头,营造平淡普通悠长的感觉,注重演员在冷漠面容下表情细微的刻画,眼神,嘴角,以及肢体语言的细微表达,多用半身及特写镜头。色彩丰富,在冷基调上常使用一点大红来代表温暖和希望。场景多是旧厂房、简陋的家、小酒馆等,设备陈旧,纹理斑驳,质感细腻耐看。音乐从歌词到曲调,极好的烘托了气氛。整个片子文艺范十足,思想上大量使用留白,给观众留出思考的空间,并引导观众对生活反思。

在这部天堂孤影中,男主角是个垃圾工,偶遇女主,两人相爱。女主对未来担忧,离开了男主。男主下定决心找到女主破镜重圆。女主傍上了一个小老板,于是犹豫了,是过一种更好的物质生活,还是嫁给一个贫穷但更爱自己的垃圾工?结尾二人坐船驶向远方,虽然大风吹起层层叠叠的浪花,大船一往直前,应该是寓意着有一个幸福的未来吧。

我印象很深的地方有四处:

一.女主穿着大红衣服的几个镜头,很有味道。

二.工友说“我要开公司,挣钱带老婆旅游,我都说了很多年了,我不想死在垃圾车上”。结果是猝死在垃圾车边,带老婆出国旅游的愿望没有达成。人生往往就是如此。呵呵,想干啥现在就抓紧干吧,时不我待啊。

三.男主坚持学外语,不管他最后是否能用上,只要努力,就会有收获,就会有更美好的明天,因为那证明了你有一种叫“努力”的美好品格。

四.导演总是把商业片必须的激烈打斗场面给忽略掉。男主踢破门冲进去,镜头静止,下一个镜头就是在警察局里了。薄暮之光的保安为了狗跟人打架,坏蛋放下啤酒出门,然后是坏蛋回来喝啤酒,下一个镜头是鼻青脸肿的保安在路边走,浮云世事餐厅打架,女主走出画面右边,然后回来把夺下的刀放下,火柴厂女工坐在椅子上听音乐,等着父母被毒死,向地上看一眼然后出门等,我们虽然没看到打斗或死亡倒地的画面,但是脑补完成了,不走寻常路,反而更有味道。

阿基的大师塑造成功了,因为他只作一种风格。我们的张艺谋,塑造了文艺范风格,后来尝试各种类型的片子,虽然依然不错,但是对他大师标签的定位却是不利。冯小刚也是这样,喜剧大师这些年着重拍怀旧文艺片,对喜剧大师的名号也是一种削弱。或许,他们能塑造一种多姿多彩的艺术风格,但这种十项全能型的大师,那是宗师,是巨匠,是极难成型的。祝他们成功!

 6 ) My Questions on Shadows in Paradise

Actually this is one of my assignments from my foreign teacher who recommended us to watch and ponder on the film. I use plain language to share some of my thoughts here with you and hope you guys will enjoy it!

Feel free to comment!

Questions:
        How to understand the characters in the movie Shadows in Paradise?
        What does the ship which is going off at the end of the movie symbolize?

Possible Answers:
        After watching the film first time, I felt it a comedy with happy ending. However, when I watch the film a second time, I feel depressed, and I have a totally different feeling from the first time. I regard it as an ideal dream of the working class rather than a simple comedy of the workers. This film reminds me of The Flies, which we’ve read last semester. Both of the film and the article are talking about the stories of the same class, the lower working class, which has nothing glamorous but unique. As we all know, paradise represents a bright and joyful image, so how come there are some shadows in paradise? This is the question occurred to me when I first read the title of the movie. Trying to understand the film and the theme, I approach to the understanding of the characters first.
        In the movie, there are two main characters and four other characters. I’d like to divide them into different groups according to the different criteria for the sake of better understanding of the characters.

                 Attitudes towards Life

1.Positive: Make a change
2.Negative: Stay in comfort zone

        According to the attitudes towards life, I categorize the characters into two groups: make a change and stay in comfort zone.
    What I’m most impressed by this movie is that the characters’ desire to make a change. Firstly, the coworker of Nikander, who had a dream to travel around the world with his wife, wanted to run a company by himself. He was fed up with the current job for twenty-five years and he was longing for change. He was so positive towards life, but he worked too hard and prepared a lot for his dream. He even died when he was working. This makes me think of those events in nowadays society, which are the premature deaths of the elites in society. As we all know, if we want to gain something, we have to pay the price sooner or later. However, those premature dead people are working too hard to stand. Although they are positive towards life and willing to make a change, they overwork to make up the lost. Their attitudes towards life should be appreciated, but their method of wealth accumulation should not be complimented. As Confucius has said, enough is as good as a feast. We should be satisfied when we have enough sources. This is probably a correct method of making a change.
        Secondly, the main character, Nikander, is also a member of the positive group. He was willing to be a foreman when his coworker suggested him to be and he learned English after work in order to improve himself. He kept on trying, kept on making a change even he was only a garbage collector, a blue-collar worker. Even though he hadn’t a decent job, he kept everything of his life in order: he went to work on time every day, cooked dinner for himself, and folded his clothes tidily. In my opinion, arranging one’s daily life in order itself is a kind of positive act. The others may have held him in contempt, but the most important thing is that he never looks down upon himself and he is always positive towards life.
        Last but not the least, the partner of Nikander, a jobless person who was arrested in the jail before, was positive as well. He was willing to work and wanted to make a change in his life. He began changing from getting a job, helping Nikander, visiting Nikander when he was crossed in love and taking care of Nikander when he was in the hospital. They were trying to make a change in their life and struggling in the working class.
        In this movie, the characters, though in the inferior status and lower working class, I think are optimistic towards life except Liona’s attitude was controversial.
        Liona went through a lot but she seldom took action to make a change in the previous half of the movie. When she was fired for no reason, she chose to steal the money box and avoid the reality. She requested Nikander to drive her out of the town. In my viewpoint, if she really wanted to make a change, she should use some practical and legal methods rather than this illegal and negative means. Because she must know the result that she would stand accused of theft by the police after she returned home. That is to say, she must know this act will not work and all these would be in vain at the start of her plan. So what’s the point doing this if she really wanted a change in life? She could have appealed to law or the Labour Union for getting a reasonable reply of her unemployment. But she didn’t. From this aspect, she seemed to be negative towards life because she just tried to avoid the cruel reality.
        However, taking her act at another thought, she was still trying even when she was sure to fail. She attempted to make a change and get hold of her own life, though the method she adopted didn’t work. Thus we may interpret this act as a positive attitude of her deep heart from this aspect. What’s more, she was still positive towards life when she chose to leave with Nikanda in the end. This was also an act that she tried to make a change in her life. Probably getting on the ship with Nikander was a signal of revolution.
        To sum up, Liona had both of the positive and negative attitudes towards life which made her attitude controversial. Above all is how I understand the characters from the perspectives of attitudes towards life.

                 Social Status

          1.Upper Class
          2.Lower Class
        
        This movie is mainly talking about the life in the lower working class. The major characters are just like the representative of the lower class in society. They don’t have decent job or well-paid salary, let alone the high-class network in society. They looked more serious and sober. Liona, was the most typical characters of the lower class. She seldom showed a smile on her face, probably because there was nothing worth smiling about in the life of lower class. We know the life of the lower class from her. She was fired the third time for no reason; she turned to steal for revenge because she was unemployed; she had to live in Nikander’s house for accommodation; she had to find a job with the help of men; she had to eat hamburger besides the road rather than have dinner in the restaurant. Those people in lower class had something in common with her.: they haven’t got steady jobs and networks to help.
        Like Liona, Nikander was also a typical character in the lower class. He was looked down upon by the waiter in the restaurant and the manager of the shop because his dress and job. Through their life, we know the life of lower class is full of bitterness and prejudice. This environment is like the shadows existing in society. Anything glamorous doesn’t belong to them. We’re usually attracted by the paradise, the halo of upper class; however, after watching the film, I know that we can’t overlook the shadows, the dark side of society.
        Unlike the lower class, the people in the upper class enjoyed the well-paid salary, stable job and the better quality of service. The manager of the clothes shop could be categorized into this group. He could offer Liona a job; he could have dinner in the restaurant and never bother whether there was a seat or not. The people in upper class enjoy the privileges and live a more comfortable life than those in lower class.
        This is how I understand the characters from the perspective of different social status.

               Attitudes towards Love

         1.Confused
         2.Persistent

        The love story served as a main thread through the whole movie. To understand their attitudes towards love is of great importance. Liona was confused about love when she was in the crossway to make a decision between the manager and Nikander. These two alternatives represented bread and love, the permanent topic in our reality. She was so confused that she didn’t know which to choose. Bread or love, that is a question. Liona first was a realistic lady when she chose the manager, the bread in life. Because she knew she could not live without a job and money. I quite agreed with her first decision. After all, life is cruel. However, she finally looked into her deep heart and found out the real answer, the true love in human. She chose to believe in the power of love so she took an act to leave with Nikander in the end. This is her final decision and attitude towards love.
        Concerning love, Nikander was everything that Liona wasn’t. He was persistent, faithful and loyal to love. He let Liona live in his house for shelter; he gave the money back to the manager of supermarket for Liona; he never gave up Liona even when she had another man. His persistence towards love won Liona’s heart eventually.
        This is how I understand the characters from the perspective of attitudes towards love.


        After analyzing the characters in the movie, I have a better understanding of the theme. The ship also which is going off at the end of the movie makes me think a lot. I have to say the director of the film is a genius because he leaves enough space for the audience to ponder and reflect after watching it, especially the ending part, a marvelous job.
        When the ship was sailing out in the end, the audience may think where were they going? How was the future life of them? These are the questions I think about. I believe many other people may think alike.
        On the surface, the ship with Liona and Nikander on it symbolizes the happy ending of the couple. They finally got together and went for the honeymoon. They took an act and made a change in their life regardless of reality. They may probably have a romantic cruise or a fantastic journey. However, is life really so simple? Does their destination really exist? This ending makes me think of the happy endings of the fairy tales. As we all know, the endings of the fairy tales are like this: from now on, the prince and princess live a happy life forever. Nothing more is described about their future marriage life. But we can guess their life full of pressure and trivial daily troubles. They are the noble so they must be under the pressure of royalty and public. What’s more, they have to deal with those daily necessities let which they seldom concern about before marriage. They have to face to the reality after all. Can they live a happy life forever? That ending just can cheat those children who have never taste the bitterness of the life.
        Similarly, Nikander and Liona are like the prince and princess, who have to face to the reality and have to struggle in the shadows of society after their cruise. Life is never so simple that we can find a place without troubles and tensions. The ship at the end of the movie is like our life, which is dynamic and full of uncertainties. Nikander and Liona wish to be happy and out of pressure from work and society. The ship which was sailing away, like floating up to the paradise, can symbolize the hope of a new life, the paradise in their heart. In their minds, the ship will lead them to the paradise, where they can be away from the shadows in society; nevertheless, that place doesn’t exist. Wherever we are, whoever we are, we still have to tackle those troubles in life. The lyrics of the song at the end of the film “life itself is painful” also tell us the essence of life lies more in its bitterness than in sweetness.
        We don’t know what’s going on in their life, but their future is open to our predictions.
        Maybe they will live an undramatic life in the future and everything will like the same as usual when they are back. Liona may be busy with finding a new job; meanwhile, Nikander may do the routine garbage-man work everyday. Although their life is full of dull work and uneasy things, they might still feel very happy and satisfied in deep heart. As we all know, the definition of happiness varies from person to person. Happiness to them may mean the satisfying feeling in their heart rather than wealth and reputation.
        Who knows maybe they will live a dramatic life? Nikander and Liona may find some commercial opportunities during their journey and they might run their own business in the future. Very soon, they may gain a huge amount of money and climb up to the upper class.
        What’s more, maybe they live in a much more miserable life than before. Liona may probably lose the job and have to struggle in job searching when they are back. Society is competitive and tough. If there is no vacancy for her, she won’t probably earn a living. The same case may also happen to Nikander. He is only a blue collar in the lower class and he might be fired someday for no reason like Liona. Then their life will be a mess and miserable.
        The ship gives me a lot of imaginations and these are the three possibilities I can think of about their future.
        Back to the ship, it will lead us to far shore, but we will never know where is our destination and when will we be there. Our life experience is like the ship, sailing in the endless ocean, fighting with the storms, waiting to get to another shore without clear destination. Like Lin Yutang said before, life is like a dream. Everything is changing on the way, but the most important thing is that Nikander and Liona have found out the things that worth cherishing in their life, which is love.
        In a nutshell, the ship symbolizes our life, which is full of ups and downs, and filled with uncertainties. What’s more, the happy ending of the main characters is just a dream and the place where they leave for is the paradise in their hearts, which doesn’t exist.

 7 ) 北欧色彩&驶向社会主义苏联的船

色彩很北欧 冷 蓝色和黄色的色调

老旧的房间和旧电器 营造出一种很无产阶级的气氛

最后驶向爱沙尼亚塔林(当时还属于苏联)的船,上面还有大大的镰刀锤子标记,似乎带着某种政治寓意——在资本主义的芬兰工人阶级生活在水深火热之中,驶向社会主义的苏联就是驶向天堂呀~~~

如果是在冷战结束苏联解体之后再拍的这部片子,或许就完全是另一种意味了吧。。。

 8 ) 短评

阿基考里斯马基导演的作品个人风格是比较强烈的。本片开头是环卫工人的日常工作搭配上爵士舞曲的背景音乐,营造一种轻诙谐的感觉,就是其个人风格的展现。

本片在声音上的运用是需要注意的,其音乐多采用欢快、节奏感强、舞曲等,奠定影片轻诙谐的基调,而且还具有一定的意象表达。比如高档餐厅的钢琴曲以及高雅乐曲象征资产阶级,而欢快舞曲象征无产阶级,这种反差在由女主和服装店老板在高档餐厅切到男主在俱乐部这里有很清楚的展现。另外男主遇袭时的背景音乐是女主用唱片机放的优雅乐曲,也有一种无产阶级遭到资产阶级倾轧的象征表达。

影片对小人物的塑造是很有趣的,例如那个胖子,形象很有意思,也比较饱满。而反观一些有权有势的人物则比较模板化,例如超市经理、服装店经理等。这一定程度上也是导演的政治表态。

不足之处在于剧情线整体有点平淡,男主人公的形象也有所欠缺,不如女主还有胖子那样鲜活、饱满。一个“无产阶级老好人”,只是在失恋之后开始有暴躁的一面,开始反抗,除此之外缺乏维度。看的时候有想过如果男主私吞了那个钱箱,那对于剧情线和男主形象都会有一个巨大的动荡,不过这样处理也有违本片的政治立场hhh

本片是我看的第一部中国之外的真正意义上完完全全的无产阶级电影。结局又是一个中国老电影式的大团圆,无产阶级电影就一定要以大团圆结局来表达“我们有着光明的未来”吗?有点失望,也期待能看到此点上不一样的片子。

 短评

8/10。清垃圾箱时捡到一张唱片,卑微的苦中作乐也能点燃希望;喜欢男女主角初次相遇那段,她的大红衣服在冰冷的环境色调里格外热烈,主动要求帮他扎伤口,两人的脸胀得偏红;餐厅门卫、服装店老板借口阻拦进入,饱受打击的底层仍不把悲伤挂表情上接受怜悯,顶多独自醉一场,缄默是他们争取尊严的方式。

3分钟前
  • 火娃
  • 推荐

考里斯马基总是很有趣:)

8分钟前
  • 闻人林
  • 还行

“无产阶级三部曲”第一部。听了张大磊的推荐来看,还真是相当动人。考里斯马基的体系太强大,以至于他的这种高度限制的表演方式(绝对可以顺到德莱叶-小津-布列松的体系里,反而不是塔蒂-罗伊安德森-苏雷曼这个体系……)与其实有些离奇的情节在体系里非常自洽。对孤独感的刻画真是入木三分(别忘了这片其实是个风格独特的情节剧啊,差点还走向黑色电影)。开头垃圾车的段落真是漂亮(一瞬间穿到肯洛奇-达内那儿)。剪辑风格干脆利落,居然都不留气口……

12分钟前
  • 胤祥
  • 推荐

“我什么都不需要。我是尼卡德,以前是屠夫,现在收垃圾,牙齿和胃都不好,肝也不行了。”收垃圾的男人每次见到心爱的女人都要带一束花,要有多爱,才能回答的这么卑微。不许诺未来,全然交代过去和现在,情话无聊又动人。

14分钟前
  • 疼疼(电动版
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最后依然是上了一艘大船,那红色的镰刀锤子,航向苏维埃的塔林。年轻时代的卡蒂·奥廷宁,稍微折腾一下也没那么丑了。

18分钟前
  • 巴伐利亞酒神
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哎呀,坏坏的可耐的阿基大叔阿基大婶啊……

23分钟前
  • iceman
  • 力荐

不知是否有人会像我一样认为此片和北野武那部奇妙地互文。芬兰初夏,阴郁的海...

24分钟前
  • 鸡塔
  • 力荐

把时间打乱,《火柴厂女工》重生后变得冷酷无情厌倦男人,碰上了另一个时空男版的自己垃圾车男工,两人结婚后去了《勒阿弗尔》,过了平淡幸福的几十年,帮助了一个黑人小男孩,happy ending。这是阿基的电影宇宙。

28分钟前
  • 判官
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友情 爱情

33分钟前
  • 还行

我居然好喜欢阿基早年的这部!爱是人最后的尊严。男人自语道:“我从很多个角度考虑过爱情,比如伤害和不完美也是一种乐趣,而身处其中的人却都很严肃。”结尾的歌,如同咏叹调,情感直白:“抬起头,我的爱人。你看那灯火通明的公园,我的心在思念你,在这里孤单地跳动。请快些吧,快回家吧。人生啊,如此短暂。快回来,你给了我一切。但爱人啊,尽管我这样请求。我知道这都是徒劳的,尽管我思念你,日日夜夜。不要迎向我,因为你也知道,生活只会带给我们痛苦。别匆匆回到我身边,这里的阴影会把你淹没。别匆忙,看这美丽的世界。在这里,看不见泪水。”

34分钟前
  • 夜第七章
  • 力荐

老鼠与人类的基因差别只有15%左右,沙发土豆肥皂剧和考利马斯基的区别也差不多,不过前者乐于展示张牙舞爪或面目扭曲,而后者则把那些浅薄完全摒弃,冷的彻骨也热的灼心。

35分钟前
  • 托尼·王大拿
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匆匆看了后半段,结尾觉得很浪漫

38分钟前
  • Sandrelli
  • 力荐

太喜欢了,是那种拿出手机备忘录记笔记的喜欢,对无产阶级的孤独感刻画没有流于俗套,而是非常地冷峻和轻巧。

40分钟前
  • 皮格马利翁
  • 力荐

爱考利斯马基就是爱一种肥皂剧 演员、台词、调调 一万年不变你也不烦

41分钟前
  • 皮革业
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“我是来带你走的,蜜月旅行总不能一个人去”,真他妈的浪漫。他们未来或许仍逃离不了痛苦,但上船的时刻他们无比幸福

42分钟前
  • SundanceKid🌈
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曾经不想让别人知道自己的男友是个收垃圾的工人,如今,与男友一同坐在垃圾车里,脸上却闪烁着充满幸福的笑容。爱情是无产阶级仅剩的骄傲。【联合国教科文组织】 芬兰影史十五佳NO.14

43分钟前
  • 有心打扰
  • 还行

顺着作品年表开始看阿基,有点理解为什么仁科喜欢这个导演,确实很戳文艺青年的点。

45分钟前
  • 子夜吴歌
  • 还行

开场的赫尔辛基收垃圾佬太酷了,“没有极限”,“可信赖的垃圾处理,始于 1986 ”。不过这部电影和贾木许那部片子的名字,未免太像了吧。而且我明明没看过——怎么一直念叨要坐一趟去塔林的游轮呢?

46分钟前
  • 木卫二
  • 推荐

和《升空号》其实差不多,甚至是最后也同样是以坐船离开圆满收尾。依然是无产阶级的爱情故事,但可能是三部曲中我最不喜欢的一部了。3.5

48分钟前
  • 方枪枪
  • 还行

垃圾处理从86年开始,问我想要什么没意义,你带给我的只有伤和痛,佛罗里达只有芬兰人和唐老鸭,你能养活我俩么小土豆。。阿基典型的风格

49分钟前
  • 琧婯
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